Non succede mai nulla (nothing ever happens)
Chapter 4 - sul muro (on the wall)
The wall is intrinsically connected to its surroundings; it can never be separated and exists only in relation to architectural and environmental elements, voids, landscapes, people, etc. It is a liminal space that, just like a door or a window, is ancestrally linked to places inhabited by man. In fact, whether it is in a city and part of a building or in a remote countryside, it has a dividing function that paradoxically also makes it a point of contact between what divides. If you observe the wall while walking down the street, it appears as an obstacle, while if you look from above, it appears as a line that unites and creates connections between separate elements. Its nature is also made more complex by the fact that it has always been a place of expression free from any prescription, from cave paintings to the Viva Verdi of the Risorgimento up to the tags of writers and dedications of lovers today. A place, therefore, characterized by a strong syncretism and where personal expression often emerges in contrast with the community (especially in cases of vandalism). This chapter of non succede mai nulla is dedicated to the wall, to its being a place that connects (which can mean both in dialogue and in contrast) parts of different realities.
Project by @_thomasba
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